A Good Bad Road


Release Date: 2004

Neo-Retro Folk Rock, heavily under the influence of Neil Young and the Beatles… CAUTION: May contain environmental or socio-political overtones…

Singer/songwriter, wildlife biologist, Randy Riviere and guitarist Michael Ward journey down A Good Bad Road joined by a host of accomplished musicians…

Album Narrative

A Good Bad Road was my first record.  Like most first records I guess, it was somewhat a collection of material from days gone by.  

Days gone by at the time (2003) involved music all the way … writing, playing … and also the Army, truck driving coast to coast, drill rigs. College. Managing a food processing facility.  The Fish and Wildlife Service.  More College.  My own environmental consulting business.  Then I finally decided to get back to music, more or less full time.  And that started with the A Good Bad Road’ album.

I got a degree in wildlife biology.  Science.  Man, how did that long-haired country boy (see Charlie Daniels) with his Firebird and Peavy short-stack get through a University science program?  I mean, I took like Ag Math in high school.  Barely made it through.  I don’t remember how. 

Anyway, so yeah, I care a lot about the fate of whatever wildlife habitat and open space we have left.  So I did all I could through restoration work and conservation easements that protected important ground permanently. I did tons of work (literally) trying to restore some semblance of California waterscapes that had been particularly ripped apart. Moved lots of dirt making new wetland habitat.  

I was reading a lot of Edward Abbey at the time leading up to this record.  So, thusly, A Good Bad Road … you know, rough ass roads that might keep the developers away. Or they’d get lost in a pothole along the way.  But, wishful thinking. The reality is that you have to protect the land … conservation easements that keep landowners who give a shit (there’s lots of them) on their land, and outright purchases for wildlife refuges, National Forests, National Parks, National Monuments, etc. that hold the relentless developers at bay.  Thank God for Teddy Roosevelt.  He created all of these types of public lands at a massive scale.  He put about 230 million acres of important landscapes under federal protection.  230 million! 

“I’d have a notion for Mars if it would pencil out too”.  There were several tunes that kind of spoke to these issues. I think the one that stood out on Bad Road was “Needles”.  This one is about our greedy developer friends focusing on the SE deserts.  Abbey’s country.  Phoenix, Tucson, Las Vegas and etc particularly.  “I’m headed out through Needles, to light the desert night”.  Of course none of that would have happened without water.  So they went after it via Hoover Dam, Glen Canyon Dam and others … the Colorado River.  With the lions share really diverted to Los Angeles.  See “China Town”, and Reisner’s “Cadillac Desert”, and of course Edward Abbey.   

I could go on and on of course.  Like talking about the 1,300 or so dams CA has … every river in the state has at least one dam, except for one I think.  The main reason why almost all of the historical wetland and riparian acres there are just gone.

On the music side, I was really lucky to end up working with Earle Mankey at his studio in Thousand Oaks, CA.  Earle just got it and was great to work with.  A Good Bad Road is one of three albums I did with him.

I was also really lucky to get to work with some wonderful musicians: Michael Ward, Bob Glaub, Reggie Mckensie, and Gregg Thomas.  Michael was an extremely talented guitarist and was with me on three albums.  We had a lot of fun making this record.  RIP my friend.  

Track List & Lyrics

Credits

Guitars

Randy Riviere
Michael Ward

Vocals

Randy Riviere
Sherrie Pedigo

Bass

Bob Glaub
Reggie McBride
Gary McKensie

Drums

Dave Hawkes
Nick Marrone
Gregg Thomas

Keyboards and Sax

Marty Grebb

All songs written by Randy Riviere

Produced, engineered, and mixed by Earle Mankey in Thousand Oaks, California

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